Pierre-Auguste Renoir
French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.

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Pierre-Auguste Renoir La sortie de Conservatorie oil painting


La sortie de Conservatorie
1877(1877) Medium Oil on canvas Dimensions 187.3 x 117.5 cm (73.7 x 46.3 in) cyf
Painting ID::  85682
Pierre-Auguste Renoir
La sortie de Conservatorie
1877(1877) Medium Oil on canvas Dimensions 187.3 x 117.5 cm (73.7 x 46.3 in) cyf
   
   
     

Pierre-Auguste Renoir Le Pont du chemin de fer a Chatou oil painting


Le Pont du chemin de fer a Chatou
Date 1881(1881) Medium Oil on canvas Dimensions 54 x 65,7 cm cjr
Painting ID::  85687
Pierre-Auguste Renoir
Le Pont du chemin de fer a Chatou
Date 1881(1881) Medium Oil on canvas Dimensions 54 x 65,7 cm cjr
   
   
     

Pierre-Auguste Renoir La baigneuse blonde oil painting


La baigneuse blonde
1882(1882) Medium Oil on canvas Dimensions 90 x 63 cm cyf
Painting ID::  85711
Pierre-Auguste Renoir
La baigneuse blonde
1882(1882) Medium Oil on canvas Dimensions 90 x 63 cm cyf
   
   
     

Pierre-Auguste Renoir Stilleben mit Fruchten oil painting


Stilleben mit Fruchten
Date 1899(1899) Medium Oil on canvas cjr
Painting ID::  85824
Pierre-Auguste Renoir
Stilleben mit Fruchten
Date 1899(1899) Medium Oil on canvas cjr
   
   
     

Pierre-Auguste Renoir Rowers at Chatou oil painting


Rowers at Chatou
1880-81 Oil on canvas cjr
Painting ID::  85978
Pierre-Auguste Renoir
Rowers at Chatou
1880-81 Oil on canvas cjr
   
   
     

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     Pierre-Auguste Renoir
     French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.

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